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Subprojects

Subproject 01: ich bin niht niuwe –? Innovation/Novelty as Paradoxical Effect in the Medieval and Early Modern Discourse of Courtly Love

Susanne Köbele
German Seminar, Universität Zürich

Subproject 02: Troynovant Revisited. Strategic hybridisation in the competing traditions of classical antiquity in English Literature c. 1380 – 1620

Andrew James Johnston / Wolfram R. Keller
Institute of English Language and Literature, Freie Universität Berlin / Department of English and American Studies, Humboldt-Universität zu Berlin)

Subproject 03: Mars and his Pistol – Contemporary Novelty and Epic Tradition in Early Modern France

Bernhard Huss
Institute of Romance Languages and Literatures, Freie Universität Berlin

Subproject 04: Discrepant Traditions. ,Old'-,New'-Hybrids and Genre Mixtures in Venetian Painting and Art Theory of the Seicento

Valeska von Rosen
Kunstgeschichtliches Institut, Ruhr-Universität Bochum

Subproject 05: ...formar modelli nuovi... Marino's Poetics of the ,New' and the Structure of Literary Baroque in Italy

David Nelting
Romanisches Seminar, Ruhr-Universität Bochum

Subproject 06: Philosophia cantat. Negotiating Epistemic Ruptures in Early Modern Philosophical and Scientific Didactic Poetry

Bernd Roling
Institute of Greek and Latin Languages and Literatures, Freie Universität Berlin

Subproject 07: El peregrino en su patria. Recoding ‚old‘ and ‚new‘ in the ‚novela de peregrinación‘ of the Spanish Golden Age

Anita Traninger
Institute of Romance Languages and Literatures, Freie Universität Berlin

Subproject 08: Sur des pensers nouveaux faisons des vers antiques. On the Relationship of Enlightenment and Classicism in 18th-century French and Italian Literature

Klaus W. Hempfer
Institute of Romance Languages and Literatures, Freie Universität Berlin

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